Signing licensing deals with EMI while continuing to record vocals in broom cupboards under the stairs. Spending 9-5 managing their careers without agents or labels, and heading down to the studio in the evening to write scores for a project with a symphony orchestra. Collaborating with Orbital while championing songs from the folk club floor singers of the North East and re-presenting them to anyone who wants to listen.
You’ll find them played by the folk show on BBC Radio 2, but equally by cutting edge BBC6 Music, Radio 3 and Radio 1 DJs. You might find them on the cover of a folk magazine like fRoots or in the pages of NME. Definable only by their restless eccentricity, there are no easy one-liners to capture who or what The Unthanks are, or much point in guessing what they’ll do next.
With much of The Unthanks’ work, there is a socially conscious heart. They see folk music, less as a tradition, and more as an oral history that offers perspective on our time. Their approach to storytelling straddles the complex relationship between modernism and learning from the past. Staunch traditionalism and sonic adventure may seem like opposites, yet they are easy bedfellows in the gentle hands of The Unthanks.